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MAX STYLER

(US)

TUYA RAVE X JOWI

(DE)

SOLDOUT: KARNIVOOL, INTERVALS

(AU)

LORD OF THE LOST

(DE)

SOLD OUT: TECHNO PILATES

(CZ)

FRANCIS MERCIER

(US)

HOUSE PARTY

(CZ)

TECHNO PILATES

(CZ)

SOLDOUT: ANNET X

(CZ)

K MOTIONZ

(UK)

TECHNO PILATES

(CZ)

CHRIS GREY

(CA)

ascendant vierge

(BE/FR)

WE NEED JUNGLE, I'M AFRAID W/ SULLY

(UK)

EVERGLOW

(KR)

TECHNO PILATES

(CZ)

STEPHAN BODZIN LIVE

(DE)

BOVSKI

(DE)

BAXTER DURY

(UK)

DOMBRESKY

(FR)

THE ROCKETMAN

(NL)

A-TRAK: 3 HOUR SET

(CA)

IMANBEK

(KZ)

ALDOUS HARDING

(NZ)

MEN I TRUST

(CA)

TECHNO NIGHT

(CZ)

MAINSTAGE PARTY

(CZ)

HARD DANCE VOL. 3

(CZ)

MAINSTAGE PARTY

(CZ)

MAINSTAGE PARTY

(CZ)

TECHNO NIGHT

(CZ)

MAINSTAGE PARTY

(CZ)

TECHNO[RAVE] #13

(CZ)

MAINSTAGE PARTY

(CZ)

TECHNO NIGHT

(CZ)

TECHNO NIGHT

(CZ)

MAINSTAGE PARTY

(CZ)

MAINSTAGE PARTY

(CZ)

HARD DANCE VOL. 4

(CZ)

MAINSTAGE PARTY

(CZ)

TECHNO[RAVE] #14

(CZ)

SICKICK

(CA)

FENG

(UK)

FÄASCHTBÄNKLER

(CH)

THE AMITY AFFLICTION, SILENT PLANET, VARIALS, ORTHODOX

(AU)

REFEW BIRTHDAY PARTY

(CZ)

BRATŘI

(CZ)

EAGLES OF DEATH METAL

(US)

WHITECHAPEL, SYLOSIS, 200 STAB WOUNDS, TRIBAL GAZE

(UK)

CANN

(CZ)

THE HALO EFFECT, LACUNA COIL, OMNIUM GATHERUM

(SE/FI)

EIVOR, RABBITOLOGY

(FO)

#roxyprague
cz

BAXTER DURY (UK)

Doors 19:00
Support mmnk
Vstupenky: 880 Kč

Event by Fource

When the eighth album is the best: Baxter Dury organizes a party for experienced musicians in Prague

It was Sunday June 28, 2024, and Baxter Dury had just stepped from a rapturously received set on The Park Stage at Glastonbury Festival. After towelling himself down, a familiar figure approached him backstage. It was Paul Epworth, the lauded producer/songwriter whose creations have draped themselves across the airwaves of the 21st century more successfully than any other Briton. You’ll know his work from huge global hits with Florence + The Machine, Glass Animals, Paul McCartney, U2 and, most significantly, Adele.

Together they dreamt up Allbarone’s nine-track tour-de-force, stripping everything away and building Baxter’s most melodically direct, futuristic collection in intense three-hour daily shifts throughout December and January. “It’s more than genius really,” says Baxter of Epworth. “It’s like he’s telepathic or something; he sees music in a shape and form that nobody else I’ve ever met does. He doesn’t care what you think: he just wants to make it brilliant, otherwise it goes in the bin.”